Lisa Edelstein Leaving House

House Shocker: A ‘Disappointed’ Lisa Edelstein Calls It Quits

Michael Ausiello Michael Ausiello
Editor in Chief

House fandom, brace for impact: Dr. Cuddy is checking out.

Lisa Edelstein — whose long-term contract expires this month — has opted not to return for the show’s eighth and likely final season.

In a statement, the actress says, “After much consideration, I am moving onward with a combination of disappointment at leaving behind a character I have loved playing for seven years and excitement of the new opportunities in acting and producing that lie ahead.”

Fox and NBC Universal declined to comment.

Back in March — when the future of House itself was up in the air — Edelstein told TVLine, “Nobody at work seems to think it won’t [return]. Everybody wants to come to a deal, and I certainly am looking forward to a Season 8.”

In an interview last week with BlogCritics.org, exec producer Katie Jacobs said she would “not rest” until Edelstein was on board for an eighth season. “Lisa is such a valuable member [of the cast],” she said. “I challenge any other actress on TV to do what she does seemingly effortlessly. She goes between drama, comedy, intelligence, sex appeal… It’s certainly not my plan or David’s plan or the creative team’s plan to not have Lisa in the show.”

There’s talk Edelstein was a victim of belt-tightening at the show. In the aforementioned interview, Jacobs acknowledged that, “For seven seasons we managed to avoid getting the phone call to make cuts in our budget. But now we’re getting that call.” Perhaps she rejected a low-ball offer — hence her disappointment?

Earlier this month, Edelstein’s costars Robert Sean Leonard and Omar Epps inked new deals to return to the show. Hugh Laurie, Olivia Wilde and Peter Jacobson were already contracted for the recrently-greenlit Season 8, leaving Jesse Spencer as the only remaining question mark.

The news comes a week before the show’s current season — arguably Edelstein’s meatiest yet — comes to a close. It’s unclear if the finale sets the stage for a possible Cuddy departure, but that seems highly unlikely.

The Good Wife Season 3 Spoilers: Will & Alicia Getting Together?

The Good Wife‘s Josh Charles: Will Has a “Deep Love” for Alicia

Julianna Margulies and Josh Charles

It’s been a busy — and heart-wrenching — couple of weeks on The Good Wife.

Moments after becoming Mrs. State’s Attorney, Alicia (Julianna Margulies) learned about Peter’s one-night-stand with Kalinda (err, Leila) and kicked him out. Last week, she drew enemy lines against Kalinda (Archie Panjabi) after two years of friendship. In the midst of the blow-ups, the tears and the divorce talk, has a chance for Alicia and Will (Josh Charles) to be together finally emerged?

“The nature of what’s transpired with Alicia and Peter, Alicia and Kalinda — these things push Alicia and Will closer together as friends,” Charles tells TVGuide.com. “I think — at its core — there is a deep love that Will has for her and I think he cares about her.

Watch full episodes of The Good Wife

“Whether that means they should be together or not is sort of irrelevant to the fact that I do think that that feeling is very real and true.”

After 15 years and their infamous issue of bad timing, it looks like Alicia will at least consider reuniting with her law school love. But it won’t be so easy. Yes, they shared a passionate kiss last season and had discussions about trying to make something work. However, when Alicia challenged Will to “show me the plan,” she never received his second voicemail, and Alicia tried to make things work with Peter.

The Good Wife: Will Alicia ever forgive Kalinda? Archie Panjabi isn’t ruling anything out

Now that her bad husband is definitely out of the apartment — and out of the picture — can Will finally show her the plan? “While some of the obstacles float away, such as her and Peter moving towards a separation, at the same time, that baggage that Alicia had expressed at the end of last season is still there. She may be right about a lot of that,” Charles says. “That doesn’t change the feelings, it just complicates them more. How that happens and how that will work out remains to be seen with what our writers want to do.”

The other big question is whether Will is really the best match for Alicia. It’s been years since they went to Georgetown together and now Alicia is a working mother of two teenagers and much, if not all, of Will’s life is devoted to his work. And then there are those references to Will’s checkered past (courtesy of Blake, natch): namely, secrets from his old law firm in Baltimore.

Although these revelations have surprised, and maybe frustrated, some fans, Charles appreciates that Will is “not just some white-knight alternative” to Peter.

The Good Wife: Alicia’s bad timing strikes again

“I’ll see fans and they’ll say stuff: ‘Hey, are you a good guy or a bad guy?’ ‘Hey, you’re really shady in that one,'” he says. “The reality, to me, is he’s not really interested in the morality of things as much as people want him to be. … We’re invested in him and possibly Alicia. How she feels about him affects us as an audience.”

Whether they want them or not, Charles says fans will begin to get answers about Will next season. “We’ve learned some, but we haven’t really learned a lot. We’ve been told a lot of things by a lot of different people that have a lot of different agendas,” he says. “I love where this episode leads us, leading into next year. We’ll start to learn more about Will’s backstory and when we do, I think it will be revealing and enlightening about the character.”

Charles says he’s ready for whatever direction the writers go. “Look at what they’ve just done with Alicia and Kalinda; some could say that’s a risky move but I think you take risky moves when you have strength in your own ability to sustain and create material,” he says. “These characters can sustain risky moves, risky moves that don’t feel arbitrary in my opinion. They feel right; they feel connected with what we’ve seen already.”

The Good Wife: Will Alicia Ever Forgive Kalinda? Archie Panjabi Isn’t Ruling Anything Out

Source: TV Guide

Archie Panjabi

First, she took care of Peter (with help from some very tough packing tape). Then, on Tuesday’s episode of The Good Wife, Alicia (Julianna Margulies) dealt with the other woman, and her former best friend, Kalinda (Archie Panjabi). But will she ever be able to forgive and forget their tryst?

“The predictable thing about The Good Wife is how unpredictable The Good Wife is,” Panjabi tells TVGuide.com, “so I don’t rule anything out.”

Watch full episodes of The Good Wife

Panjabi says “there were a few tears” on set the day she and Margulies filmed the emotional scene in which Alicia confronted her. It was a moment fans had been anticipating — and dreading — since Blake first dropped the bombshell about her and Peter weeks ago: “You slept with my husband. You do not say anything after that, you do not,” Alicia said to Kalinda before beginning to tear up. “I swear I will scream at the top of my lungs if you don’t get out of my office right now.”

Of course the biggest question is, now that she and Alicia are stuck together, how the two will function in the office. One thing’s for sure: Panjabi says Kalinda won’t continue to explain herself. She’ll take a step back while Alicia cools down. “She knows there is nothing she can say,” Panjabi says.

The Good Wife: Chase’s Kelli Giddish to play a blast from Kalinda’s past

Although it’s unclear whether Alicia will ever really forgive her, Panjabi says she has been pleasantly surprised by the fan reaction in spite of the fallout.

“For some reason, people haven’t taken it out against Kalinda. I think they are surprised at what Kalinda’s done, but they don’t seem to be completely furious with her,” Panjabi says. “I think people are sort of let down, but they are not annoyed or angry with her. And if you think about what she’s done, she’s kind of broken up a whole family.”

The Good Wife: Alicia’s bad timing strikes again

On the flip side, Panjabi says Alicia and Kalinda’s separation will allow time for new friendships for both characters. And unlike her rival investigator Blake, Sophia (Kelli Giddish) will be much more of a friendly investigator who will bring out a “new side of Kalinda,” according to Panjabi.

Then there’s Cary (Matt Czuchry). He and Kalinda have always put their work before their personal lives, but Panjabi says that’s about to change. As for anything more between them? The actress isn’t saying, but let’s not forget that kiss from earlier this season.

Twilight Saga: Breaking Dawn Spoilers — Photos

'We shot everything — whether it’s the lovemaking or the childbirth — as potent and powerful as it can be. It will be interesting to see whether there will be people who think it too disturbing for this universe.' - director Bill Condon.

First Look: ‘Breaking Dawn’

The final installments in 'The Twilight Saga' -- 'Breaking Dawn Part 1 & 2'  -- contain the franchise's most controversial and anticipated moments to date. We're talking sex, babies and transformations for Bella as her love affair with Edward reaches a climax. No pun intended.Today  released 11 new images from the film that show Kristen Stewart, Robert Pattinson, Taylor Lautner & co in all their golden glory. Check them out along with some choice quotes from the crew, courtesy of Entertainment Weekly!

The final installments in “The Twilight Saga” — “Breaking Dawn Part 1 & 2” — contain the franchise’s most controversial and anticipated moments to date. We’re talking sex, babies and transformations for Bella as her love affair with Edward reaches a climax. No pun intended.

Today Summit released 11 new images from the film that show Kristen Stewart, Robert Pattinson, Taylor Lautner & co in all their golden glory. Check them out along with some choice quotes from the crew, courtesy of Entertainment Weekly!

Castle Season 4 Spoilers: Kate Beckett Lives — Castle’s I Love You & the Castle Beckett Relationship

Castle Boss: Castle and Beckett’s New Secrets Are a “Ticking Bomb”

Source: TV Guide, 9-19-11

Stana Katic, Castle

[WARNING: The following story contains spoilers from the Season 4 premiere of ABC’s Castle. Read at your own risk.]


“I remember everything.”

With those words, spoken by Detective Kate Beckett in the closing moments of Castle‘s Season 4 premiere, the show kicked off what is sure to be a rollercoaster season of secrets.

Fall Preview: Get scoop on your favorite returning shows

After narrowly surviving the gunshot she suffered in the Season 3 finale, Beckett (Stana Katic) tells Castle (Nathan Fillion) that she doesn’t remember anything from the day she was shot — including the fact that Castle told Beckett he loved her. But in the premiere’s final moments, Beckett confesses to her police-mandated shrink (Michael Dorn) that she she’s been lying about her faulty memory.

But why? “She’s scared to admit that she heard him because she’s scared that the relationship is going to go to the next level and it could potentially ruin their friendship,” creator and executive producer Andrew W. Marlowe tells TVGuide.com. “She wants it but she’s not ready for it.”

However, Beckett, who is clearly still a bit shaken up from her brush with death, is able to admit that she wants to work toward a relationship with Castle — after she finally closes her mother’s murder investigation, which set this whole deadly chain of events in motion.

Castle Season 4: What happens after “I love you”?

“Beckett is struggling with some internal things that she really needs to put to rest,” Marlowe says. “She intimates that she wants Castle, but she wants it to be a real relationship. She knows she’s not as open and available as she wants to be in life, but she knows it’s for a particular reason. So, if they can resolve Beckett’s mother’s case, that [removes] one of their biggest obstacles.”

That’s where things get really sticky. Although Castle wants nothing more than to help Beckett crack the case, he’s got one problem: A mystery man (Geoff Pierson) with knowledge of Beckett’s investigation warns Castle that if she continues digging, she will certainly end up dead.

“Castle is in this terribly conflicted position,” Marlowe says. “It ends up being a huge sacrifice for Castle to ask Beckett to back off, because he’s actually asking her to back off of the relationship.”

Adds Fillion: “If she solves the investigation, she’s saying she can be emotionally ready for a relationship with Castle. But if she delves into this investigation, she will be killed. That’s very real. If you balance that with, ‘Well, I might have a chance at dating her,’ it doesn’t really weigh out. He can’t take that chance.”

Check out our list of TV’s sexiest crime fighters!

Marlowe says that Castle will continue to try to solve Beckett’s mother’s murder on his own in order to protect Beckett. Meanwhile, look for Beckett’s shrink to return at least a couple more times to offer a peek into Beckett’s head (and heart).

The bright side, Marlowe says, is that even though they’re not technically an item, their relationship is stronger than ever. “For all the people who keep saying, ‘When are they going to get in a relationship?’ they kind of already are,” he says. “It just comes with baggage and complications. [These] are two people who we deep down know love each other but there’s some significant secrets and significant obstacles that make it not the right time for them at this moment.”

And if those secrets are revealed? “[It’s] a powder keg,” Marlowe says. “Either of those things can be a real ticking bomb in their relationship. So, there’s a little bit of a delicate dance for the characters.”

Castle airs Mondays at 10/9c on ABC.

What did you think of the premiere? Are you interested in the new dynamic between Castle and Beckett?

Castle Season 4: What Happens After “I Love You”?

Source: TV Guide, 9-19-11

Nathan Fillion and Stana Katic

As the saying goes, you can’t unring a bell. So, can you unspeak the words “I love you”?

Fall Preview: Get scoop on your favorite returning shows

That’s the question looming over Castle, as the Season 4 premiere (Monday, 10/c, ABC) focuses heavily on how Detective Kate Beckett (Stana Katic) will react to a profession of love from her mystery-writer/partner, Richard Castle (Nathan Fillion), in last season’s finale. Of course, Castle’s “I love you” didn’t come over a candlelight dinner, but in the aftermath of Beckett being gunned down by a sniper. So, there are plenty of easy outs, right?

“My goals were to honor everything that we had done in the season finale and not sweep anything under the carpet,” creator and executive producer Andrew W. Marlowe tells TVGuide.com. “My intent was to confront all the issues that we brought up and deal with them in a way that … was going to be both satisfying to fans and also a little bit frustrating for the ones who want Castle and Beckett to get back right away. We’ve taken their relationship to the next level of complexity. … [There’s] a lot more meaning in the Beckett and Castle relationship.”

Which Castle characters made our list of TV’s sexiest crime fighters?

Adds executive producer Laurie Zaks: “Once the genie is let out of the bottle, it can’t be put back in. Even if it’s not acknowledged verbally, psychologically there’s going to be a difference.”

It’s in those psychological and emotional corners of the story that things get a bit tricky. For example: Will Castle even be able to see past his own complicity in Beckett’s shooting — and by extension, the sacrificial death of former Capt. Roy Montgomery (Ruben Santiago-Hudson) — to move forward in a relationship with her?

“It was a very sobering event for Castle. Certainly he carries a measure of guilt,” Fillion says. “Here’s a guy who’s not very keen to grow up anytime soon. But he’s really been spear-heading this investigation. He’s been kicking this hornet’s nest around, thinking that solving it will get him closer to Beckett. But now he’s losing friends, literally. It’s going to force him to grow up a little.”

Castle exclusive: Meet Castle and Beckett’s new captain!

Also standing in the way of Castle and Beckett’s possible love connection is a decrease in face time, now that new Victoria “Iron” Gates (Penny Johnson Jerald) has assumed command of the 12th Precinct and promptly kicked Castle out.

“He’s not used to women being around him that aren’t disarmed by him immediately,” Fillion says. “Women love him, and when they don’t, he takes it really hard. … She won’t give him half a chance. Even when he deserves credit, she will not give it to him. That really bothers him, and it’s going to be a continuing battle.”

But the true obstacle preventing a Castle-Beckett hookup is secrecy, as both Beckett and Castle will be forced to hide significant information from each other at the beginning of the season.

Castle exclusive: Star Trek‘s Michael Dorn is Beckett’s shrink

“Everybody’s got secrets this year,” Katic says. “The first episode kind of explains how this next season will be directed. It explains in a really subtle way how the two characters feel about each other and what obstacles they might have to tackle in order to finally get to each other. I think it’s really sweet.”

Sweet, if not immediately satisfying to the show’s ravenous fans. Katic can only promise that Beckett, who will also share some her feelings with a police-mandated shrink (Star Trek: The Next Generation‘s Michael Dorn) this season, is acting in the interest of her long-term happiness.

“She’s making an adult decision not to dive into something because she doesn’t want to screw it up,” Katic says. ” She has real, adult reasons for making the choices she makes. … She cares for him so much. She’s in love with him. She’s dated other guys, but he’s the only guy she’s been in love with.”

Castle premieres Monday at 10/9c on ABC.

Exclusive Castle Postmortem: Creator on [SPOILER!]’s Death and Castle and Beckett’s Future

Nathan Fillion and Stana Katic, Castle

[WARNING: The following story contains major spoilers from the Season 3 finale of Castle. Read at your own risk.]

Castle’s third season went out with a bang. More than one, actually.

Castle finale: Castle and Beckett put all their cards on the table

The action-packed final episode found Beckett (Stana Katic) once again drawn into investigating her mother’s murder after Hal Lockwood (Max Martini), the hitman who has killed all her previous leads in the case, escapes from prison. Beckett soon learns that Lockwood’s next target is none other than Captain Montgomery (Ruben Santiago-Hudson), who was the third cop involved in the kidnapping of a mob boss that ultimately led to Beckett’s mother’s murder.

Mongtomery’s betrayal and cover-up is a hard pill for Beckett to swallow, but ultimately the Captain risks his own life to take down Lockwood and protect Beckett from further harm. One problem: Montgomery dies without revealing the real mystery man who sent Lockwood to kill the conspiring cops in the first place. And that mystery man seems to have hired a new gunman, as in the closing moments of the episode, Beckett is gunned down by a sniper and left bleeding out as Castle (Nathan FIllion) professes his love to her.

Exclusive: Marvel and ABC team for Castle-inspired graphic novel

If you’re anything like us, you’re still in shock. And you have plenty of questions. (Of course Beckett is going to live, silly!)  Luckily, we chatted with Castle creator Andrew W. Marlowe to break it all down. Below in our exclusive interview, Marlowe reveals why the Captain had to die, what the next layer of mythology in the Johanna Beckett case involves, and just how Castle’s admission of love will play out next season.

Why did you decide to kill Captain Montgomery?
Andrew W. Marlowe:  It grew organically out of the series, out of who he is to Beckett and why he’s been such a mentor [to her]. We realized when we got deeper into Beckett’s mother’s murder mythology that somebody had to be protecting Beckett from herself when she was looking into this, so it made sense that the Captain was involved. It gave us this great sense of completeness and tragedy that I really responded to.

Were you worried that fans might be too jarred by the betrayal?
Marlowe: We wanted them to be jarred. Beckett’s jarred. But the reality is we all have secrets and things in our lives we don’t talk about that, when they come to light, we’re forced to deal with. I think there will be some fans who will be frustrated and angry and some fans will be interested in how this will affect Beckett. What’s Beckett’s life going to be like when she doesn’t necessarily always have somebody she works for in her corner?

Captain Montgomery at least got a little bit of redemption.
Marlowe: [The whole story] made the character of the Captain much more noble to me. He participated in something that was a sin in his youth, but he had done everything in his life to correct it, to overcome it. He’d done everything to serve and be a good man, but he could not outrun his sins.

Check out photos of the Castle cast

So will you be adding a new boss at the precinct next season?
Marlowe: That’s one of the opportunities we’re looking to take. Everybody’s getting along really well in the precinct, and we think there can be a little more conflict. We think it’s interesting to grow Beckett and Castle by having somebody who may not look as favorably on Beckett as the Captain did or may not look as favorably on the Castle-Beckett relationship. That’s all stuff we’re plotting out for next year as we speak.

The finale also reveals that there’s still a mystery man out there connected to Johanna Beckett’s murder.
Marlowe: We have a great concept of how we want to follow that up in the next couple of seasons. That’s going to be vital in some decisions I’m making going into next season.  We foreshadowed it a bit with Castle having to protect Beckett from herself at the end of the episode. Next season, with Castle knowing somebody is out there, [Beckett] becomes his responsibility. It changes the nature of their relationship and makes it significantly more interesting, especially given what happens the last 10 seconds of the show.

Indeed. Let’s talk about that cliff-hanger. Are you prepared for the hate mail?
Marlowe: I do have an expectation that certain fans are going to be really, really frustrated. We have really tremendous, loyal fans and to make them wait all those months I think is going to be really frustrating to them. Hopefully people will be interested to see how we deal with it next year.  I do think, for the relationship fans, having Castle admit his feelings to Beckett is a great moment for them.

Did Beckett hear and understand Castle say “I love you” before she went unconscious?
Marlowe: I think in that moment she does. I know exactly how I’m dealing with it next season, but it would be unfair to the experience of the audience to tell them right now.

What can you say about that relationship moving forward?
Marlowe: I think people will be frustrated until I do the next set of reveals at midseason. My feeling about TV audiences is that they love to be frustrated and then fulfilled. What we’re telling here is a great love story, and great love stories take a long time to resolve. Feelings ebb and flow, relationships are complicated, timing is wrong. I do know where I want to end up with these people. I know what the resolution is between them but there’s a lot of great storytelling between now and then.

Are you concerned with dragging it too long and losing viewer interest? You recently commented about Bones doing just that.
Marlowe: When I express some concerns about models of the other shows, it’s when the relationship becomes stagnant. When there is no movement, there is no growth and the characters start to feel like brother and sister because they lose the spark. My goal is to not lose the spark, and I know that’s a challenge when you keep people apart for a long time. Keeping them apart can be frustrating, but I also feel like moments at the end of the swimmer episode are enormously gratifying because of everything that’s come before. The hero’s journey is about going through all sorts of difficulty to obtain your prize and having little victories along the way. My hope is that at the end of the day, it feels like a hero’s journey.

Will there at least be some payoff to Castle’s admission of love?
Marlowe:
During Season 4 there will be some payoff to what he said in that moment. It’s not going to necessarily come the way the fans like. And I’m sure some of them will feel like I’ve skirted the issue initially and then come to realize that I’ve dealt with it in an interesting character way. The questions are going to be answered. I think people felt like we dropped the kiss or we dropped the freezing together, but it was always my intention to bring it up as a relationship issue [in the finale]. Hopefully people will be interested to see how we deal with it next year, and how we overcome the argument they’ve had in the middle of this episode. The issue of “Why aren’t we talking about this? Why aren’t we confronting it?”

Is Beckett’s boyfriend Josh (Victor Webster) still a possible obstacle?
Marlowe: He’s still out there, and he’s somebody we’re going to have to deal with. He’s an element moving forward and it’ll be interesting to see how that functions.

What’s going to be the driving force in Season 4?
Marlowe: There’s going to be a real push and pull between Beckett and Castle. Beckett’s going to want to look into [this new mystery man] and Castle’s going to have very specific reasons why he doesn’t want her to. He’ll end up with a little more information than she has, and he can’t be honest with her about it. It’s going to cause a complexity in their relationship that’s going to be interesting.

‘Castle’ creator Andrew Marlowe on finale shooting: ‘She was not wearing a vest.’

Source: EW, 5-18-11

castle_finaleImage Credit: Stana Katic/ABC

While Castle fans were weeping over Monday night’s season finale (Beckett! Nooooo!), creator Andrew Marlowe was in Hawaii, oblivious to the emotional turmoil he’d just inflicted upon us. To get back at him (kidding!), EW interrupted the executive producer’s much-deserved vacation (not kidding…) to ask some of our — and your — burning questions.

ENTERTAINMENT WEEKLY: I know you’re sitting sea side right now, but have you seen any of the Internet reaction to the finale?
ANDREW MARLOWE: Yeah, I was on Twitter and a lot of the fans were nice enough to leave their thoughts with me on Twitter, so that was very exciting.

I’m not getting the sense that they’re as angry as you thought they might be.
[Laughs] Well, I didn’t know. I knew that I was going to give them something emotionally satisfying, but I also wanted them to be prepared going in that it was going to end on a cliffhanger. But I think that for the ‘shippers, there was some sense of relief that Castle got to say what he wanted to say and that in the argument they were able to put their cards on the table. Then when we get to the final scene, he’s able to admit his feelings for her. So I think there was some really good resolution in that while we had all the other stuff. I think if we didn’t have that resolution, people would have felt a little unsatisfied.

Speaking of that last scene where he says the big ‘I love you,’ Kate’s alive… right?
I think people have to tune in this fall to see.

Well, I’m at least assuming she was wearing a vest …
You don’t expect to get shot at a funeral. I’ll tell you that she was not wearing a vest. I can tell you that, yeah.

So are we going to see Beckett recovery time next season or will we have a time jump when she’s back in action?
I have not fully finished constructing the season premiere episode for [season] 4. There are a lot of moving parts that I’m going to have to deal with. There may be a time cut, but we’ll probably most likely be picking up right after the events of the shooting and dealing with the aftermath. And then a time jump somewhere in the episode.

So, why did you decided to shoot Beckett?
Well, it felt like a natural extension of the storytelling that we’re doing, and this case is the case where Beckett is most vulnerable, and Castle is at his most mature. But it also comes with a complication, and the complication is this: It’s that if Castle hadn’t urged Beckett to look into her mother’s case in episode 10′s first season, none of this would have happened. You know, Montgomery wouldn’t be dead, secrets would still be buried, Beckett’s life wouldn’t be hanging in the balance. So you know, there’s certainly going to be some guilt he’s gotta work through, and with Beckett knowing what’s at stake, this is one case where rationality flies out the window, where she basically goes and runs out into traffic. She can’t help herself. So how that’s all going to resolve next season, we have a really good and interesting angle on it. That’s something that I think fans will be really interested in when they tune in to see how we’re going to conduct things next year.

Is part of that angle dealing with the man who shot Beckett? 
Yeah. In a way. But it has much more to do with the Beckett-Castle relationship.

So you said Castle is going to deal with guilt. Will part of that also come from him not being able to save her as he did in the midseason finale?
Mmhmm. Yeah, I think it’s only natural that anybody in that situation, if they aren’t able to do that, would feel that way. Absolutely.

Will this become a more personal fight for Castle now that Beckett was injured?
Well, what I’ll say about that — because I’m trying to keep some things a surprise for early next season — is that those questions are going to figure prominently in how we’re coming back and how we’re defining the next stage of their relationship.

Speaking of important stages: The “I Love you.” Is that going to be ignored next season?
No, it’s not going to be ignored. It’s going to be confronted, but it’s going to be confronted in a very Castle-ish kind of way. The show has a tendency, when it confronts things, not to go head-to-head with something. So we are going to deal with that in storytelling in a way that is really organic to this relationship and to their growth.

You really took on so many issues in this episode — which one of these steps did you consider the biggest?
For me, there were two big ones. The fight in her apartment — but the reason why that was so effective, to me, is that it’s been coming for basically two-and-a-half seasons. [They’ve had] to get to the point where they were both so emotionally raw that Castle could say, “I don’t know what the hell we are.” We’re doing this dance, and I think it’s really refreshing to have them acknowledge the dance and have the two of them interact with each other. And also him getting to the point where he didn’t want to wait ’til it was too late to say what was on his mind. [Even though] he may have been too late.

I was in love with the airport scene. How much was improv and how much of that was in the script? From him holding her against the car, to him mouthing “I’m sorry”…
I have to say that that is one of the great culminations of Will Beall’s great writing and Rob Bowman’s great directing, and two actors who are in excellent from. That was really a culmination of three tremendous elements, and everybody really had a hand in really crafting that moment.The attitude, the point of view, was all written down. The amount of emotion that Stana [Katic] poured into it and Nathan [Fillion]’s reaction to it… a lot of that happened on the day, and it was beautifully shot by the team.

I usually have some sense of composure, but I was, honestly, such a mess! It was shameful.
Good, we did our job. [Laughs]

Do you get emotional reading any of this?
My relationship to it is much different because, you know, I’m there helping to craft those moments, so I knew that we’re hitting the chord. I had that feeling. But my point of view was more how can we elicit the emotion from the scene, how can we really honor people. It was hard to be around for me emotionally when Montgomery’s character got shot. [He was] the first of the character that I created during the pilot who died. So it really did feel like to all of us that there was a significant death in the family, so we really mourned his loss. But the emotions of these moments that you guys are going through are mitigated by the fact that I know what the outcomes are. [Laughs]

Speaking of Montgomery — how long was this in the plan?
We knew for sure in January. We had been toying with the storyline. Will Beall came in with a really great angle on these mythology stories, and we all worked with him to craft this. It was coming at a point where I felt like some of the relationships needed to evolve, and we needed to challenge some of our core family. This was a really interesting way to do that, to help our relationships get to the next level. So it was a confluence of events where it just seemed to make absolute creative sense for the show. And it’s always really difficult because Ruben [Santiago-Hudson]’s been just a tremendous asset, and nothing but an enormous professional for us.

He did an outstanding job on his last scene.
He’s never been better. He is a tremendously talented actor, and he’s also a very gifted emotional actor. I think sometimes, you know, when he’s a guy who people download information into or he’s just giving the facts, it’s really not taking advantage of his enormous strengths as an emotional actor, and this was really an opportunity to have him shine, and boy, did he do a great job.

Next step would be a new boss. What kind of person are you looking for?
Well, that’s something I’m not going to think about until the end of the week. I’m going to relax for a couple of days. We are looking at bringing somebody in who’s going to present a little bit more of a challenge to our characters in the precinct. So we’re looking forward to having somebody show up who helps our characters grow and opens them up in new ways while continuing to make sure that the experience of the show, the Castle experience, remains the same for the fans.

Some readers suggested bringing on a female boss.
Yeah, I certainly would consider that. It actually would be very interesting. Not to get ahead of myself, but it’s something that has been considered, but I haven’t formally landed on anything yet. There are a lot of riches to that, but there are also some surprises in store for the fans.

(Stephan Lee contributed to this report)

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